Philippe Cassard, Natalie Dessay, Cedric Pescia, Orchestre National de Bretagne - Mozart à l'opéra (2022) [Hi-Res]

The voice! The voice which, even if absent from the score, insinuates itself between the two hands of a pianist playing Mozart. In this music, all is dialogue, mingled avowals and passions, on the threshold of the opera house. All Mozart’s forms are nurtured by the same source, that of vocal melody. "I like an aria to be as precisely tailored to a singer as a well-cut suit", he declared when he composed an aria. And what an aria this one is! Ch’io mi scordi di te! The keyboard enters into dialogue with the soloist. And then we leave the world of the aria for that of the concerto, unless it be an imaginary sonata...
Tracklist
1. Mozart: Fantasia in C Minor, K. 475 (12:17)
2. Mozart: Piano Concerto in E-Flat Major, K. 482: I. Allegro (14:05)
3. Mozart: Piano Concerto in E-Flat Major, K. 482: II. Andante (7:28)
4. Mozart: Piano Concerto in E-Flat Major, K. 482: III. Allegro (11:58)
5. Mozart: Ch'io mi scordi di te, concert aria, K. 505 (10:09)
6. Mozart: Sonata for Piano Four Hands in F Major, K. 497: I. Adagio (2:03)
7. Mozart: Sonata for Piano Four Hands in F Major, K. 497: II. Allegro di molto (5:14)
8. Mozart: Sonata for Piano Four Hands in F Major, K. 497: III. Andante (7:27)
9. Mozart: Sonata for Piano Four Hands in F Major, K. 497: IV. Allegro (7:58)