Krzysztof Kaczka, Jarosław Nadrzycki, L'Appassionata, Lorenzo Gugole - J.S. Bach: Concertos for Violin & Flute (2021)

How would have Bach composed if he had had access to modern instrumentarium: a violin with Tourte’s bow that produces a higher volume of sound, a trumpet with an entire chromatic scale or a contemporary grand piano? Would he be inspired by the art of virtuosos of today, such as the Leipzig ensemble of Collegium Musicum, as he was known to have composed for distinguished artists? Would he forgive pop or computer game composers for using his music? How would he judge changes in the key of pieces, which played a vital role in the intellectual and emotional rendition of music according to Baroque rules? Or else, would he adjust to the vibe of our epoch and make use of samples instead of real performers?
Tracklist
01. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): I. Allegro
02. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): II. Adagio
03. Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra): III. Allegro
04. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): I. Allegro
05. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): II. Largo
06. Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra): III. Presto
07. Violin Concerto in A Minor, BWV 1041: I. Allegro
08. Violin Concerto in A Minor, BWV 1041: II. Andante
09. Violin Concerto in A Minor, BWV 1041: III. Allegro assai
10. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): I. Vivace
11. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): II. Largo ma non tanto
12. Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra): III. Allegro